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Frederick Delius (1862-1934)

Frederick Delius was born in Bradford into a prosperous woolen mill owning family. He resisted attempts to recruit him to commerce. He was sent to Florida in the United States in 1884 to manage an orange plantation, where he neglected his managerial duties; influenced by African-American music, he began composing. After a brief period of formal musical study in Germany beginning in 1886, he embarked on a full-time career as a composer in Paris and then in nearby Grez-sur-Loing, where he and his wife Jelka lived (except during the First World War) for the rest of their lives.

In Delius's native Britain, it was 1907 before his music made regular appearances in concert programmes, after Thomas Beecham took it up. Beecham staged Delius's opera A Village Romeo and Juliet at Covent Garden in 1910 and mounted a six-day Delius festival in London in 1929, as well as making gramophone recordings of many of Delius's works. After 1918 Delius began to suffer the effects of syphilis, contracted during his earlier years in Paris. He became paralysed and blind, but completed some late compositions between 1928 and 1932 with the aid of an amanuensis, Eric Fenby.

As his skills matured, he developed a style uniquely his own, characterised by his individual orchestration and his uses of chromatic harmony. Delius's music has been only intermittently popular, and often subject to critical attacks.

Sir Thomas Beecham on Delius

Compact Discs and iTunes

The follwing are availbale as compact discs and downloads at iTunes

collins conducts british music

1PD26 Collins Conducts British Music

Anthony Collins Conducts

  • Sullivan Overture di ballo [Listen]
  • Gardiner Shepherd Fennell Dance [Listen]
  • Grainger Shepherd's Hey [Listen]
  • Vaughan Williams Fantasia on a theme by Thomas Tallis [Listen]
  • Vaughan Williams Fantasia on "Greensleeves" [Listen]
  • Delius A walk to the Paradise Garden [Listen]
  • Delius A Song of Summer [Listen]


John France at Music Web International writes of 1PD26 Collins conducts British Music;

Firstly, the programme of this CD is a near perfect introduction to the pleasures of British music - counting Grainger as an honorary countryman - and secondly, the performance of some of these works is eye-opening to say the least.
sons.

For me, the Delius pieces are old friends. I recall an old LP from the 1950s that I found somewhere - probably the school music library. It was Collins version of The Walk to Paradise Garden and The Song of Summer with which I first discovered Delius. And I guess that it is this sound-scape that I have carried with me in my musical mind ever since: it is my touchstone for all subsequent recordings that I have heard of these pieces. In fact it was not until a wee while after hearing these recordings that I discovered the wonderful Tommy Beecham records. Yet even these did not usurp what I had heard of Collins and the LSO. The Song of Summer is one of the pieces that Delius's amanuensis, Eric Fenby, helped set down on manuscript paper. And it is surely a well-known tale that the elder composer asked the young Fenby to imagine the view from the sea-cliffs of Yorkshire on a hot summer's day. To my ear this is one of the best 'landscape' tone-poems in the literature and certainly deserves its place in many an anthology of English music. Collins version is totally convincing, in both its intimate moments and the huge, almost overpowering climaxes.

This is a fine CD that would make a good introduction to English music for anyone who had yet to make that step. The sound is not perfect - but yet again I am just a little younger than these recordings and neither am I! However, what makes it a fantastic disc is the sheer beauty of the sound, the attention to detail and the depth of engendered emotion - especially in the Delius.

Robert Cowen writes in Gramophone for December 2008:

Beulah's star release has Anthony Collins conduct a programme of "British" music. Rarely have I encountered a more sensitively nuanced reading of Vaughan Williams Tallis Fantasia, with some beautifully judged perspectives, or more luminously played Delius (the "Walk" from Romeo and Juliet and A Song of Summer). The transfers are first rate.
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More Anthony Collins

Extra Tracks

Below are tracks from our library that never made it onto one of our compact discs. They can be downloaded here as high quality 320kbs AAC encoded (MP3) files.

Purchasers of tracks have unlimted personal use but must not pass or sell on to third parties nor broadcast without prior permission from PPL

delius piano concerto moiseiwitsch
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1st movement
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2nd and 3rd movements
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Delius In a summer garden LSO Anthony Collins
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Delius Paris Song of a Great City LSO Anthony Collins
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Delius In a summer garden LSO Anthony Collins
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delius north country sketches
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1 Autumn
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2 Winter landscapes
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3 Dance
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4 March of spring
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" Beecham’s Delius has even more classic status, as evidenced by this mono recording of North Country Sketches, originally recorded on 78s (Columbia LX1399-41), and sounding every bit of it on LP as I recall, despite Trevor Harvey’s comments to the contrary when the Philips LP was released in 1964. I wouldn’t have recognised the glowing Beulah transfer as the same recording – either the Columbia original was better than the Philips reissue or Barry Coward has worked magic on it, as he so often does. The new reissue makes a welcome supplement to the mono and stereo recordings of Beecham’s Delius included in the recent 6-CD anthology of British music from EMI. An earlier (1945) recording of the Sketches with the LPO features in an all-Delius programme on Somm, but includes Autumn and Winter only, so the Beulah version is all the more welcome. There are too few recordings of this work to ignore either of these Beecham versions and, in any case, his way with Delius is unbeatable. " Brian Wilson at Music Web International
delius irelmelin prelude szell
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delius walk to the paradise garden
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song of summer
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delius on hearing the first cuckoo in spring
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delius on hearing the first cuckoo in spring
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delius walk to the paradise garden
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